[slideshow] I. A selection of invited and refereed articles from journals, conference proceedings, and book chapters.

Multimodal Computing

A Playable Evolutionary Interface for Performance and Social Engagement

From Tradition to Emerging Practice: A Hybrid Computational Production Model for Interactive Documentary

Media Authoring with Ontological Reasoning: Use Case for Multimedia Information Extraction

Pedagogy

Revitalizing use and use case abstraction: a pedagogical methodology for developing innovative design thinking in new media literacy

An Interdisciplinary Foundations Curriculum for Media, Computing and Engineering Technologies

Multimodal Performance

Interactivity vs. control: Human-Machine Performance basis of emotion

Foot-mounted Gesture Detection and its Application in Virtual Environments

Interfacing sound synthesis to movement for exploring high-dimensional systems in
a virtual environment

From motion to emotion: synthesis of interactivity with gestural primitives

Interactive exploration of a chaotic oscillator for generating musical signals in real-time concert performance

Design and Composition

On composing a medium

Toward participatory design of computer-assisted immersive environments

Sound synthesis and composition applying time scaling to observing chaotic systems

II. Peer-Reviewed Publications: Chronological List

Choi, I. (To Appear). “Media Authoring with Ontological Reasoning: Use Case for Multimedia Information Extraction.” In Multimedia Information Extraction. Maybury, M. Ed. IEEE Computer Society Press.

Choi, I. 2011 (Upcoming). “The Playability of Sounds in Playable Media and the Loci of Virtuosi”. The Electroacoustic Music Studies Network Second International Conference, EMS11, New York City, June 14-18.

Choi, I., and Bargar, R. 2011 (Upcoming). “A Playable Evolutionary Interface for Performance and Social Engagement.” Intelligent Technologies for Interactive Entertainment, Fourth International Conference, INTETAIN 2011, Genoa, Italy, May 25-27.

Choi, I. 2010. “From Tradition to Emerging Practice: A Hybrid Computational Production Model for Interactive Documentary.” Entertainment Computing, Vol. 1 Issue 3-4. Amsterdam: Elsevier, December 2010. Pages 105-117.

Choi, I. 2010. “Revitalizing Use and Use Case Abstraction: A pedagogical Methodology for Developing Innovative Design Thinking in New Media Literacy” In Proceedings CD of the International Conference on Technology, Education, and Development, ISBN: 978-84-613-5538-9, Spain, March, 2010. http://www.iated.org/inted2010/publications

Choi, I., Bargar, R. 2010. “An Interdisciplinary Foundation Curriculum for Media, Computing, and Engineering Technologies.” In Proceedings CD of the International Conference on Technology, Education, and Development, ISBN: 978-84-613-5538-9, Spain, March, 2010.    http://www.iated.org/inted2010/publications

Choi, I. 2009. “Interactive Documentary: A Production Model for Nonfiction Multimedia Narratives.” Proceedings, Intelligent Technologies for Interactive Entertainment, Third International Conference, INTETAIN 2009, Amsterdam, Netherlands, June 2009, pp. 44-55.   http://hmi.ewi.utwente.nl/intetain09/proceedings

Published in Intelligent Technologies for Interactive Entertainment Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 2009, Volume 9, Part 2, 44-55, DOI: 10.1007/978-3-642-02315-6_5

Choi, I. 2008. “Ontologically and Graphically Assisted Media Authoring with Multiple Media Types.” AAAI Fall Symposium on Multimedia Information Extraction, Arlington, VA, Nov. 7-9, 2008. AAAI Press Technical Report FS-08-05, pp. 25-30. http://www.aaai.org/Papers/Symposia/Fall/2008/FS-08-05/FS08-05-010.pdf

Malyuta, T., Choi, I., Bargar, R. 2006. “Design of Ontological Data for Data Navigation and Media-Rich Document Display.” Poster presented at 9th International Protégé Conference. Stanford University, July 23-26.

Choi, I.  2003. “A Component Model of Gestural Primitive Throughput.” In Proceedings of the NIME Workshop ‘03 (New Interfaces for Music Expression), McGill University, Montréal, May 22-24. http://www.nime.org/2003/nime03_program.html

Bargar, R. and Choi, I. 2001. “Ground Truth”. In Facing the Future: a 20 Year Retrospective. Druckery, T. and Ars Electronica Eds. Cambridge: MIT Press, 431-437.

Choi, I. 2000. “Gestural Primitives and the context for computational processing in an interactive performance system.” In Trends in Gestural Control of Music. Battier, M. and Wanderly, M. Eds. Paris: IRCAM (CD Publication).

Choi, I. 2000. “A Manifold Interface for Kinesthetic Notation in High-Dimensional Systems.” In Trends in Gestural Control of Music. Battier, M. and Wanderly, M. Eds. Paris: IRCAM (CD Publication).

Choi, I., Zheng, G. and Chen, K. 2000. “Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system” Proceedings of the 2000 International Computer Music Conference, Berlin, Germany: International Computer Music Assn., August 27- September 1, 141-144.

Bargar, R. and Choi, I. 1998. “Sonification of Probabilistic Belief Networks,” Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics, San Diego, October 11-14, 99-111.

Choi, I., 1997. “Interactivity vs. Control: Human-Machine performance basis of emotion,” Kansei, the Technology of Emotion. Proceedings of the AIMI International Workshop, A. Camurri, ed. Genoa, Associazione di Informatica Musicale Italiana, October 3-4, 24-35.

Choi, I., and Ricci, C. 1997. “Foot-mounted gesture detection and its application in a virtual environment,” Proceedings of the 1997 IEEE International Conference on Systems, Man and Cybernetics. October 12-15, 4248 – 4253 vol.5.

Choi, I. 1997. “A chaotic oscillator as a musical signal generator in an interactive performance system.” Journal of New Music Research, vol. 26, no. 1, 17-47.

Choi, I. 1996. “Computation and semiotic practice as compositional process.” Journal of Computers and Mathematics with Applications, Pergamon, vol. 32, No. 1, pp. 17-35.

http://www.sciencedirect.com/science?_ob=ArticleURL&_udi=B6TYJ-3VTJFTS-H&_user=10&_coverDate=07%2F31%2F1996&_rdoc=1&_fmt=high&_orig=search&_sort=d&_docanchor=&view=c&_searchStrId=1428251449&_rerunOrigin=google&_acct=C000050221&_version=1&_urlVersion=0&_userid=10&md5=4038a72175b806a189813ae5f2369935

Axen, U. and Choi, I. 1996. “Investigating Geometric Data with Sound.” Proceedings of the Third International Conference on Auditory Display, ICAD ‘96. Xerox Palo Alto Research Center, November 4-6, 25-28.

Choi, I. 1995. “On performing a listener: what is missing, Paganini?” Proceedings of the 1995 International Computer Music Conference, Banff, CA: International Computer Music Assn., September, 134-138.

Choi, I., Bargar, R. and Goudeseune, C.. 1995. “A manifold interface for a high dimensional control space.” Proceedings of the 1995 International Computer Music Conference, Banff, CA: International Computer Music Assn., September , 385-392.

Choi, I., and Bargar, R. 1995. “Interfacing sound synthesis to movement for exploring high-dimensional systems in a virtual environment.” Proceedings of the 1995 IEEE International Conference on Systems, Man and Cybernetics, vol. 3, pp. 2772-2777.

Choi, I. 1994. “Interactive exploration of a chaotic oscillator for generating musical signals in real-time concert performance.” Journal of the Franklin Institute, vol. 331B, no. 6, 785-818.  http://cat.inist.fr/?aModele=afficheN&cpsidt=11149912

Choi, I. 1994. “Sound synthesis and composition applying time scaling to observing chaotic systems.” Proceedings of the Second International Conference on Auditory Display, ICAD ‘94. Santa Fe Institute, Santa Fe, NM, November 7-9, 79-107.

Axen, U. and Choi, I. 1994. “Using Additive Sound Synthesis to Analyze Simplicial Complexes.” Proceedings of the Second International Conference on Auditory Display, ICAD ‘94. Santa Fe Institute, Santa Fe, NM, November 7-9, 31-43.

Rycaert, V. 1994. (Interview) “Open your ears to the sounds of chaos.” access magazine, Vol. 8, No. 2, 12-14, National Center for Supercomputing Applications, Spring, 1994.

Hudak-David, G. 1994. “Stepping into α.” access magazine, Vol. 8, No. 2, p. 11, National Center for Supercomputing Applications, Spring, 1994.

Mayer-Kress, G. Bargar, R. and Choi, I. 1994. “Musical Structures in Data from Chaotic Attractors.”   In Kramer, G. ed. Auditory DIsplay. Santa Fe Institute Studies in the Sciences of Complexity, Proc. Vol. XVIII, New York: Addison-Wesley, 341-368.

Bargar, R., Choi, I., Das, S., and Goudeseune, C. “1994. Model-based interactive sound for an immersive virtual environment.” Proceedings of the 1994 International Computer Music Conference, Aarhus, Denmark.

Mayer-Kress, G. Choi, I., Weber, N., Bargar, R. and Hübler, A. 1993. “Musical Signals from Chua’s Circuit.” IEEE Transactions on Circuits and Systems, special issue on Chaos and Nonlinear Electronics, Vol. 40, No. 10, October, 688-695.

Choi, I.1981. A Study on the Mode in Kyonggi Shinawi: Formal Structure for Contemporary Performance Practice Descended from Ritual Music for Contacting “Spirits of Ancestors”, MMA Thesis, Yonsei University, May 1981.